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Ana Mercedes Hoyos Biography, Wikipedia, Age, Cause Of Death, Net worth, Career, Family

Ana Mercedes Hoyos Biography

Distinguished Today, in her native Colombia, the artist Ana Mercedes Hoyos is being honored for her work. She was a sculptor as well as a painter, and her work has been recognized with more than seventeen awards on both the national and international levels.

Both degrees of recognition were bestowed for her work. Hoyos was a pioneer in the realm of contemporary art, and he had a special fascination with the intricacies of Colombian society. On this day in 1968, Hoyos was awarded the prize for first place in the “Environmental Spaces” exhibition that was held at the Bogotá Museum of Modern Arts. The event took place on this particular day.

Ana Mercedes Hoyos was born into a family of architects on September 29, 1942, in the city of Bogotá, Colombia. Hoyos received encouragement to seek an education in art history at a young age and continued to get this encouragement throughout his life.

Ana Mercedes Hoyos began her schooling in the visual arts at Colegia Marymount and then transferred to the University of Andes to continue her studies in that field. She began by experimenting with techniques that were more straightforward and abstract, which led to the production of her first series, which was titled Ventanas (Windows).

The fact that this collection was honored with the Caracas Prize at the Colombian National Salon of Artists is one of the primary reasons why many people consider it to be the defining point of her professional life.

Ana Mercedes Hoyos Career

The Hoyos company branched out into a variety of other areas throughout the course of the next several decades. In the middle of the 1970s, she launched the publication of her series titled Atmósferas (also spelled atmospheres).

Ana Mercedes Hoyos worldwide renown was established as a direct result of the success of this series, which examines many aspects of light. Later in her career, she created artworks that reflected the local flora and fruit of Cartagena, which is where she had resided in the 1980s. These pieces were shown in several galleries.

The climax of Hoyos’s creative path, which finally led her to those paintings, was a series of still-life paintings that addressed the cultural richness of Colombia. Hoyos painted those paintings.

In these still-life paintings, the lively cultures and landscapes of the Caribbean were masterfully represented by blending exaggerated light with explosive tropical hues. Hoyos’ paintings depicted the Afro-Colombian lineage in a mesmerizing and entrancing way.

Today, people from all over the world are able to enjoy her work at renowned art institutions located all over the world. These institutions include the Museum of Modern Art in Mexico City, the United Nations University in Tokyo, the National Museum of African American History and Culture in Washington, D.C., and, perhaps most importantly, the Bogotá Museum of Modern Art, which is where her journey first began.

Ana Mercedes Hoyos Cause of Death

Ana Mercedes Hoyos was 72 years old, Hoyos passed away suddenly and unexpectedly. In spite of the fact that she had been a “long time resident of New York City,” as stated in the obituary that was written about her and published in The New York Times, she ended her life in Bogota, Colombia.

In the obituary that was written about Hoyos and published in the local newspaper, he was remembered as “one of the most important exponents of the art of Colombia during the past five decades.”

Ana Mercedes Hoyos Family

According to the source, she was “survived by her husband, architect Jacques Mosseri, her daughter, artist Ana Mosseri, and two grandsons.” She had been married to Jacques Mosseri for many years.

Randy Osei Akoto
Randy Osei Akoto
A content creator, writer, blogger and digital marketer currently the Editor and writer at 2Rvisionnews.com. Believes in hard work and keeps up with latest trending stories making rounds across the globe in all aspects, from politics, sports, entertainment, health, business etc.

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